Quote:
Originally Posted by dogsbody70
HI ryuruui-- Its fascinating to see how you use the brush-- you have to know exactly in your mind before that very first stroke then continue.
do you not get back ache?
what paper are you using? the creases must prevent smoothness as you write.
Its great to see you at work. Thanks. More please when you have time or inclination.
The brush is quite large isn't it. thanks a lot. You are so good to share with us.
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That was only 4 hours of writing, but last time when I was attending a whole day of calligraphy studying event I was sick the next day. 10 hours of kneeling and dragging emotions onto the paper completely wiped me out.
The smudges you see, called kasure, are cuased by few factors. One is paper and brush quality, and then there is the ink thickness. Finally, the way calligrapher presses the brush against the paper, the angle, force etc, are also crucial.
This paper is really good, 5 years old and very dry. It's a hand made paper for calligraphy and sumi-e. Brush is slightly hard, the line would be very different if written with a brush made of wool, not horse hair.
The brush is rather big, yes, although there are insanely gigantic brushes out there, 1.5 or 2 meter long, that can soak in up to 1kg of ink. That is why writing with a big brush is challenging, as it uses a lot of resources and time.
社長ブログ｜博多織の帯・着物などの伝統の博多織製品 ：筑前織物株式会社
Below are few pictures I took in my fav. calligraphy store, those are showing different types of brushes and the fortune that can be spent on them.
wool brushes (羊毛筆 ようもうふで), very soft and usually the most expensive ones
here you have larger brushes
and the smaller ones
quill brush
hard hairs brushes
the most expensive brush in the store, nearly $6000 (yes, six thousand, it is not a typo)
The wool it is being made of is so smooth, that feels to the touch like water. Line made by such brush must be superb.
